In 1852 Louis Napoleon, president of the French Republic, proclaimed himself
Emperor Napoleon III and immediately strove to surpass the grandeur of
Napoleon Bonaparte’s empire by making Paris ‘Ia plus belle yule du monde’.
Baron Haussmann, prefect of the Seine département, did much to materialise
the Emperor’s desires by demolishing old, congested areas of the city and
creating monumental boulevardes lined by elegant townhouses and fine public
buildings. The luxury and opulence in which Parisians delighted during the
Second Empire was epitomised by the sumptuous Opera House (186 1—74)
designed by Charles Garnier, one of the brightest stars of L’Ecole des
Beaux-Arts. But the building of the period that was most influential outside
France was the New Louvre (1852—57), in which the French Renaissance style
was revamped and unerringly attuned to the aims and aspirations of the
emperor’s regime.
Some of the more important features of the Second Empire style are pavilion
planning, high mansard roofs punctuated by square domes and truncated
pyramids, the lush enrichment of wall surfaces, coupled columns, swags, and
segmental pediments. Ornament is often profuse, but it is always controlled,
clear and crisp.
The influence of the style was felt in Britain and in many parts of northern
and central Europe. Second Empire was especially appropriate and popular for
large hotels. The style crossed the Atlantic to America, where it was used
for public buildings and, in both masonry and timber, for domestic
architecture. An important role in the introduction of contemporary French
architectural thought to America was played by Richard Morris Hunt, who was
the first American to study at L’Ecole des Beaux-Arts in Paris and who
subsequently worked on the New Louvre before returning to his homeland to
start what was to become a large and successful practice.
The Victorian Second Empire style appeared in Australia from the mid-i 86os
to the end of the century. Buildings such as
Sydney Town Hall , the
Princess Theatre in Melbourne, and the Shamrock Hotel in Bendigo still
speak to us of late nineteenth-century prosperity and love of rich display.
Although the style was used quite frequently for public and commercial
buildings, it found little favour for domestic architecture.
Sydney Town Hall, George Street, Sydney, NSW. J. H. Wilson, Albert Bond and others,
architects, 1866—89. Lavishly ornamented composition with focal tower and
fanciful roofs.