Victorian Regency, as its name suggests, is a
continuation of the Old Colonial Regency style. In nineteenth-century
Britain and Australia, those who upheld the virtues of refinement and simple
elegance fought a protracted rearguard action against what they saw as
Victorian vulgarity. During the early years of Victoria’s long reign, these
virtues were still being admired by people blessed with the kind of ‘good
taste’ which had flourished during the eighteenth-century Age of Reason.
The Regency style required simplicity, subtlety and restraint, and the
style’s rules allowed little room for development or change. In Australia,
consequently, Victorian Regency buildings continued to exhibit clearly
defined rectangular masses arranged symmetrically with, more often than not,
the outer edges of the roof finished behind a simple parapet. The masonry
walls of stone or brick were usually stuccoed and lined to imitate quality
stonework, but on occasions walls were finished externally in face
brickwork. Projecting mouldings of simple, classical design were gently
modelled in stucco to cast delicate shadows on the smooth surfaces of the
walls. Crisp lines and classical proportions in the treatment of doors and
windows continued from earlier times, and Iouvred timber jalousies were
often provided for protection against the summer sun.
A recurring feature of the Regency style is the balcony cantilevered out
from the face of the wall and finished with a tasteful balustrade of iron or
timber. Ground-floor verandas had rectangular timber posts with the broad
face set to the street, or openwork iron columns; sometimes, in the more
prestigious examples, classical columns might be used. The elegantly
drooping concave or ogee roof was popular for verandas, reflecting its
canvas- awning origins. Here, corrugated-iron roofing could easily be curved
to the desired profile, and it soon became the norm.
The unchanging nature of the style appealed to speculative builders, who
found its simplicity easy to exploit, even to the point of omitting the
stucco on external walls and painting the bare brickwork. But, whether it
was destined to cater for the needs of a poor artisan or a rich merchant,
the Regency building had an air of aristocratic understatement.
Example
Burrundulla, Mudgee, NSW. William Weaver, architect, c. 1865. A Palladian
composition of brick central block and parapeted wings with faceted ends.