The earliest Australian buildings to have any
visual pretensions used a simplified version of the classical style of
British architecture which had evolved during the reigns of the first three
Georges. This urbane, decorous Georgian style was a branch of Renaissance
architecture, which had its roots in imperial Rome; the rediscovered glories
of ancient Greece had yet to become a major influence.
The essence of classical architecture is order; all parts of a building have
to harmonise visually with one another as well as with the whole. The most
important means of achieving harmony is proportion—the use of simple
mathematical ratios to determine, say, the height of a window in relation to
its width, or even the shape of a room (the courtroom in Greenway’s Windsor
Courthouse [a ‘double cube’). Classical designs usually include one or more
of the orders of architecture as well as a panoply of other elements derived
from the ancient world. In the eighteenth century the language of classical
architecture was extended and codified in printed manuals or ‘pattern
books’.
The foundations of English Georgian architecture were laid by Sir
Christopher Wren and others towards the end of the seventeenth century.
During the next hundred years the style flowed out into the provinces to be
the stock-in-trade of competent but less exalted designers. One such was
Francis Greenway, who would have remained a little- known architect in
Bristol had he not been transported to Australia in 1814, soon to be
appointed Civil Architect by the energetic and visionary Governor Lachlan
Macquarie.
The first Australian settlements were hardly the place for the finesse of
classical architecture, and for more than a generation most buildings were
quite rudimentary. Even so, something of the orderliness of the Georgian
style could be seen, for instance, in the plain uniformity of brick walling
and the simple rectangularity of double-hung sash windows.
The most obvious characteristics of Old Colonial Georgian buildings—both
sophisticated and ‘rude’—are a pleasantly human scale, rectangular and
prismatic shapes, symmetrical façades, and well-tried proportions. As in
other colonies in warm and hot climates, the early Australian house soon
protected its principal rooms from the sun by means of the veranda, a device
which also served many of the informal functions of everyday life. The
veranda of a single-storey house is usually a lower-pitched extension of the
main roof a twostorey house wears a similar veranda wrapped like a skirt
around the lower half of its walls.
As towns grew, the quality of the design and workmanship of buildings
improved and more overtly classical elements appeared. Some buildings
designed to impress the observer exhibited a Palladian central block with
wings or pavilions; façades were divided up by breakfronts or emphasised
with porticoes, pediments, quoins and the occasional cupola. Refinements of
this kind became important elements of the OLD COLONIAL REGENCY style, and
by the time of Queen Victoria’s accession the character of classicism was
quite discernible in Australian architecture.