Fantastic
"Greetings from New York", postmarked 1907. This one shows
views of the St. Paul Building on Broadway, the Metropolitan Life
Insurance Building and New and Old Parkhurst Churches, Governor's
Island, the Times Building at Broadway and 42nd at night, plus a
great view of a big steamer with a small sailboat. What makes this
so great are all the background details and flourishes, especially
the water lilies, and the coloring is superb.
Wonderful
"Greetings from New York". Bold and brash art nouveau
card, postmarked 1910. Love the star and its rays, plus nice flower
detail, and big steamship. Shows views of the Times Building at
Broadway and 42nd Street, the Waldorf-Astoria Hotel, and Macy's
Department Store and Herald Square. Terrific colors and details!
Another
wonderful art nouveau "Greetings from New York". Terrific
turn-of-the-century multiple view of New York City: City Investing
Building, Flatiron Building, and the Singer Building (Highest
Building in the World). Lots of fun. Postmark 1908.
Wonderful
art nouveau "Greetings from New York". Turn of the century
multiple views of New York City: Riverside Drive, Vine Arch Bridge,
Bethesda Fountain in Central Park, Temple Beth El. This and
following views make excellent companion pieces. For similar Art
Nouveau multi-views, see Philadelphia, Boston, and Providence. See
also "East Coast Art Nouveau" in our "Things"
category.
Art Nouveau
has made itself know and present from 1880s to 1910s. This movement walked
under the flag of an art that would break all connections to classical
times, and bring down the barriers between the fine arts and applied arts.
Art Nouveau was more than a mere style. It was a way of thinking about
modern society and new production methods. It was an attempt to redefine
the meaning and nature of the work of art. From that time on, it was the
duty of art not to overlook any everyday object, no matter how utilitarian
it might be. This approach was considered completely new and
revolutionary, thus the New Art - Art Nouveau name.
An artist should work on everything from architecture to
furniture design so that art would become a part of everyday life. By
making beauty and harmony a part of everyday life, artists make people's
lives better. This approach has been represented in painting,
architecture, furniture, glassware, graphic design, jewelry, pottery,
metalwork, and textiles and sculpture. Advertising posters were welcomed
into art, and fence has been proclaimed a suitable exhibition place for
this new art. This was a sharp contrast to the traditional separation of
art into the distinct categories of fine art (painting and sculpture) and
applied arts (ceramics, furniture, and other practical objects).
Because of typical flat, decorative patterns used in all
art forms, Art Nouveau obtained a nickname 'the noodle style' in French,
'Le style nouilles'. Visual standards of the Art Nouveau style are flat,
decorative patterns, intertwined organic forms of stems or flowers. Art
Nouveau emphasized handcrafting as opposed to machine manufacturing, the
use of new materials. Although curving lines characterize Art Nouveau,
right-angled forms are also typical, especially as the style was practiced
in Scotland and in Austria. Typical for this style was artistic
application of modern industrial techniques and modern materials (unmasked
iron in architecture for example). Principal subjects are lavish birds and
flowers, insects and polyformic femme fatale. Abstract lines and shapes
are used widely as a filling for recognizable subject matter. Purposeful
elimination of three-dimensions is often applied through reduced shading.
Art Nouveau artifacts are beautiful objects of art, but not necessarily
very functional.
Art Nouveau flourished in a number of European
countries, many of which developed their own names for the style. Art
Nouveau was known in France as style Guimard, after French designer Hector
Guimard; in Italy as the stile Floreale (floral style); stile Liberty,
after British Art Nouveau designer Arthur Lasenby Liberty; in Spain as
Modernisme; in Austria as Sezessionstil (Vienna Secession); and in Germany
as Jugendstil.
Art Nouveau had its deepest influence on a variety of
art and design movements that continued to explore integrated design,
including De Stijl, a Dutch design movement in the 1920s, and the German
Bauhaus school in the 1920s and 1930s.